Thursday, August 16, 2007

Back to the Future (1985): It's about time -- literally.

Back to the Future was, as Jason pointed out to me, our second Science Fiction film in a row. And all I can say is that Back to the Future does a much better job than Tron did.

There’s so many things I like about this movie. It’s extremely well written, the acting is great, and all around is just a good movie.

As I watched Back to the Future I noticed that it was perfectly timed, in beats and action.

Being a screenwriter, I’ve heard of the “three acts” (as I like to call them) many a times. For those who don’t know, the average length to a script is about 120 pages -- which is about a minute per page equivalent to a two-hour film. The script is then broken down in to three acts from that. The first act is roughly the first thirty pages of the script. The second is the next sixty. And the third act is the last thirty pages.

I feel that Back to the Future is a film that clearly shows the transitions from the different acts. It’s a good film to watch carefully at, and not for that sole reason.

It’s also a great story. Steve Zemeckis and Bob Gale wrote a fantastic screenplay, and it works on screen. Compared to Tron, the characters are much more vivid, and have some life to them.

It’s easy to see that Zemeckis and Gale took their time to write this script, making sure they did all of their research, plotting out little things that become big things. Foreshadow is huge in this film. Small snippets of dialogue makes sense later on in the film. I think this is a very good reason why this film rocks.

There’s not much more to say about the script besides that. It’s one of my favorite stories.

But I think that because of the actors bringing the characters to life definitely helped propel this movie. Michael J. Fox does a great job as Marty McFly. He plays the average teen do a punctuation mark. But enter Christopher Lloyd as Dr. Emmett Brown, and you’ve got yourself a duo that’s just too good...not like Pegg and Frost, but close enough. Honestly, I see Lloyd only as an eccentric scientist bent on finding a working invention in most of his films. It’s odd.

Which now brings me to the three other main characters of the film. Don’t ask me why, but Lea Thompson (who plays Lorraine, Marty’s mom) was hot when she was younger. I mean, have you seen Howard the Duck? What really got to me was how well she played a love interest to Marty -- yeah, she’s supposed to be his mom.

Then the lonely and pathetic George McFly comes in to play. He’s just so helpless, like a lost animal, that you want to help him shack up with Marty’s mom. But I don’t think anyone but Crispin Glover could have done a better job. He just seems to fit the part so well, especially since he’s always playing those smaller parts, and hardly never the lead in any film. But George does prevail over his bully, Biff, played by Thomas F. Wilson.

Maybe it’s just me, but I feel that Wilson just looks like a natural bully, and maybe that’s one reason he was cast for the part (or not). I felt that Biff, in all his glory, had a much smaller part in the film than the other actors (but we see more of him in Part Two and Three) and I was hoping for more.

And now finally, the directing. There’s nothing I can’t say about Zemeckis’ directing for this film. He did a wonderful job. Maybe it was because of the grand set designs for Hill Valley, maybe it was because of Zemeckis’ directing, but I really felt like Back to the Future had been made from a time before the ‘80s.

The last thing I can say about this movie would be to recommend it to you if you haven’t seen it. It’s good to study for if you’re looking for a simple story. The script works. It has no flaws that I can see. It even leaves the ending open for the two sequels, which both work as well, making the trilogy flow together like a singular film.

So, here ya’ go; if you haven’t seen Back to the Future, don’t just rent it, BUY it.

The Final Call:

10/10

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Tuesday, August 14, 2007

Upcoming Review -- Back to the Future

Back to the Future (1985)
Running Time: 116 Min.

Directed By: Robert Zemeckis
Written By: Robert Zemeckis and Bob Gale
Starring: Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover and Thomas F. Wilson.

Synopsis:
Marty McFly (Fox) lives in the year 1985; but when Dr. Brown (Lloyd) unleashes his new invention, a time traveling DeLorean, Marty accidentally travels back to the year 1955.

Upcoming Movies


08/19/07 -- Unforgiven (1992)
08/23/07 -- Linda Linda Linda (2005)
08/26/07 -- Ed Wood (1994)

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Sunday, August 12, 2007

Tron (1982): Totally old school.

For some reason, there was a small expectation in my mind that Tron was going to feature top-of-the-line graphics; but then I remembered it was made more than twenty years ago, when computer graphics were first coming in to use.

It reminds me a lot of old cartoons from the same era, that sometimes aired on television still to this day. As you can tell, I wasn't really impressed with the visual effects, as I may have been many years ago. Maybe that's what I was thinking the entire time I was watching the film; expecting it to be just another cartoon some company punches out -- and honestly at times, it looks just like one too.

Which now brings me to the story: it's pretty bland.

The first twenty minutes help to set up the human aspect of the movie, then it ventures in to the computer world. And really, the human part of the movie is pointless, so really the first twenty minutes are pretty dull.

The story is decent, albeit slow at times.

Flynn, played by Jeff Bridges, is a brilliant computer programmer; possibly the best his company had ever seen. He made numerous video games, which would have catapulted his career, but another programmer, Ed Dillinger (David Warner), stole the games and took the credit. Flynn has been desperately trying to hack back into the company's computer and find evidence that proves he is the rightful creator of said games. While trying to hack in, Flynn gets transported into the computer world by Master Control Program, the evil computer system. Then with the help of super program Tron -- although being the title character, is a semi-major character -- played by Bruce Boxleitner, who also plays Flynn's friend, Alan.

Here's where I have a problem with the characters. They just seem so flat. Like there's nothing to them. No life. Nothing. Maybe it's because this is a family film, I don't know but there was no true character development in the movie. And maybe it's because I was expecting so much from Jeff Bridges, especially since he has been in movies since Tron; save Warner, he's been in more things too. But on the flip side, I liked Warner's performance; he played Dillinger, the evil computer program Sark and Master Control Program -- and he was good in all three aspects, with Sark his strongest character, in my opinion.

And finally, the directing. Really, I didn't see anything great about it. There was nothing that blew me away with Lisberger's directing; and maybe that's why he hasn't done anything since the '80s. The only thing I can give him credit for is the story and the visual effects. They were unique for their time. But now, it just seems like another bad cartoon on the television.

The Final Call:

6/10

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Friday, August 10, 2007

Upcoming Review -- Tron

Tron (1982)
Running Time: 96 Min.

Directed By: Steven Lisberger
Written By: Steven Lisberger and Bonnie MacBird
Starring: Jeff Bridges, Bruce Boxleitner, David Warner and Cindy Morgan.

Synopsis:
Programmer Kevin Flynn (Bridges) has been trying to hack into the mainframe of ENCOM, where his video games had been stolen by his boss, Ed Dillenger (Warner). But when Flynn gets transported into one of his programs, he must take part in a gladiator like situation with the help of security program TRON.

Upcoming Movies

08/16/07 -- Back to the Future (1985)
08/19/07 -- Unforgiven (1992)
08/23/07 -- Linda Linda Linda (2005)

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Thursday, August 9, 2007

Hot Fuzz (2007): Bring on the Fuzz.

To compare Hot Fuzz to Shaun of the Dead is to say whether or not a romantic-comedy could equal a western, no offense to rom-coms. Hot Fuzz and Shaun of the Dead are two movies from different genres, brought together by a wonderful team of writers and actors.

Edgar Wright and Simon Pegg have been working together as writers for years, and they have long since perfected their craft. There are hardly ever any flaws in their stories, there's intriguing and hilarious characters throughout, and there's always something going on. That's what made Shaun of the Dead so hysterical, and that's what makes Hot Fuzz the same.

Needless to say, Hot Fuzz is hysterical, and by the power of Greyskull, it is so worth the watch.

As I said before, Wright and Pegg have been working together and have written a fantastic movie. There are plenty of jokes, many are references to their previous works (Shaun and Spaced), and all around great humor. If you have never seen any of the team's previous projects, I highly suggest going out and renting them to see what I mean. They're just awesome.

But to say that Wright and Pegg's writing was the only good thing about the film, is an understatement. The actors definitely help to round off the characters. Pegg plays Sergeant Chris Angel, so well in fact, that I forgot he was once the off-beat Shaun of S.o.t.D. But by chance that Nick Frost (who played Ed, Shaun's best friend in S.o.t.D.), is the one thing that helps Pegg look so amazing.

Rarely there is such chemistry (that's non-romantic) on screen by two leading actors that can only be brought in by either two highly talented actors or just really good friends. Well, Pegg and Frost are both of those. They have both proven themselves talented, and hysterical, and extremely close on screen as they are off. Pegg and Frost have been friends long before they hit fame with Shaun or Hot Fuzz, and I think that that friendship helps to provide some of the best comedy I've seen in quite some time.

But it's not only these two blokes that provide all of the laughs. There's the supporting characters that also bring this movie to life. First, there's the reference to Shaun of the Dead with Martin Freeman and Bill Nighy. But then there's the small cameos made by Cate Blanchett and Peter Jackson (who both happened to have worked together on Lord of the Rings). Paddy Considine (In America) stole most of the scenes he was in. But it was definitely Timothy Dalton that blew me away the most. I've only been use to seeing him as James Bond. And I felt his character was so out there that he wouldn't be able to pull it off, but he did, and it was amazing how he did so.

And the one thing that could round off the writing and the acting, could only be the directing style of Edgar Wright. Throughout the past works of Wright, Spaced and Shaun, I have seen a vast improvement in his directing abilities. They get better every single time I watch one of the new projects that this team works together on. I always take note of Wright's harsh cuts throughout his projects. And not to mention the great pieces of writing.

Which now brings me back to the beginning. Saying that Shaun of the Dead is better than Hot Fuzz or vice-versa is wrong of me. I can't really choose between the two. They're both funny and great to watch. Hot Fuzz is a bit slow to watch at the beginning, mainly because all of the amazing action doesn't start until the third act of the film, but other than that, it's great. Yarp!

The Final Call:

9/10

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Tuesday, August 7, 2007

Upcoming Review -- Hot Fuzz

Hot Fuzz (2007)
Running Time: 121 Min.

Directed By: Edgar Wright
Written By: Simon Pegg and Edgar Wright
Starring: Simon Pegg, Nick Frost, Jim Broadbent, Paddy Considine, and Timothy Dalton.

Synopsis:
Super cop Nicholas Angel (Pegg) is too good at what he does. So he's transfered to a statistically safe city. But when a series of mysterious accidents occur, Angel and his partner, Danny Butterman (Frost) decide to turn up the heat.


Upcoming Movies

08/12/07 -- Tron (1982)
08/16/07 -- Back to the Future (1985)
08/19/07 -- Unforgiven (1992)

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Sunday, August 5, 2007

Blazing Saddles (1974): It was funny...

When I was twelve.

Blazing Saddles was quite possibly original for its time, I'll give it that. It was definitely vulgar for its time, especially with the many uses of the N-word, practically said twice every ten minutes or so. And it was quite possibly funny for its time as well. But it is not any longer.

When I first watched Blazing Saddles, I was sorely disappointed. I had heard many good things about the film, and was just bummed with the final outcome. So, I don't know what I expected to change when I watched it the second time. Same thing, just now I understand more of the jokes.

I'm a fan of Mel Brooks. Always have been. I know Jason's the same too. The Producers, Young Frankenstein, Spaceballs, Robin Hood: Men in Tights, yadda yadda yadda; the list goes on. Those were some of Brooks good films and Blazing Saddles just didn't live up.

I guess I should actually start my review now.

I'm not fond of the script. I take no offense to hearing racial slanders. But there were just too many in this film, and I felt it dragged it down. Sure, there may have been a wonderful, kick ass team behind the script (such as Richard Pryor, the great comedian) but I think there may have been too many screenwriters working on this project which drew them away from a good movie.

It is a shame that Pryor was not able to take up the role of Sheriff Bart, who many of the N-words are directed at. Now, I feel Cleavon Little did a nice little job (sorry, bad pun) as Bart. But Gene Wilder playing the Waco Kid definitely took lead in the duo.

I was also disappointed with Brooks' two characters in the film, both of which seemed to lack the normal flair he plays his other wacky parts with. The Governor did make me laugh. A chuckle here and there. I'm also not surprised that Madeline Kahn was in this film, but honestly I felt her character was utterly pointless.

The only character besides Sheriff Bart and the Waco Kid I liked was definitely Hedley Lamarr, played wonderfully by Harvey Korman. Without a doubt, Korman is Lamarr. He acted better than the whole town of Rock Ridge combined. If you're wondering about Wilder's performance: he would have decimated the town of Rock Ridge with his awesomeness.

Which brings me to the conclusion. The ending of the film. The whole film leads up to this, the grand finale, the fight between the whole town of Rock Ridge with Lamarr and his minions. Let's just say it was over-the-top and completely unnecessary. It becomes sour, unnecessary. I don't know if the giant team of screenwriters clashed on how to end the film, or if they just decided to pull something out of their asses that was so strange that they just hoped it worked. Well, whatever the choice was, I didn't like it. It just didn't fit in with the rest of the film.

Like I said earlier, this isn't Brooks' greatest work. Maybe if you like Westerns, you might like it, but I doubt it.

The Final Call:

6/10

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Friday, August 3, 2007

Upcoming Review -- Blazing Saddles

Blazing Saddles (1974)
Running Time: 93 Min.

Directed By: Mel Brooks
Written By: Mel Brooks, Norman Steinberg, Andrew Bergman, Richard Pryor and Alan Uger
Starring: Cleavon Little, Gene Wilder, Mel Brooks, Harvey Korman and Madeline Kahn.

Synopsis:
In order to get rid of Rock Ridge, Hedley Lamarr (Korman) hires a black sheriff, Bart (Little). With the help of the Waco Kid (Wilder), Bart tries to keep Rock Ridge from being destroyed.

Upcoming Movies

08/09/07 -- Hot Fuzz (2007)
08/12/07 -- Tron (1982)
08/15/07 -- Back to the Future (1985)

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Thursday, August 2, 2007

Oldboy (2003): Bittersweet vengeance.

Oldboy is graphic. Oldboy is violent. Oldboy is terrific.

Not many people know this, but Oldboy is actually based off of the manga of the same name written by Minegishi Nobuaki and Tsuchiya Garon.
And for those who don't know, manga is the Japanese equivalent to comics, except they are read by nearly everyone in Japan, from children to adults. And yes, Oldboy is a Korean film.

The script is well-written, calling on the classic Greek tragedies. Twist and turns are abundant throughout the film. There's good dialogue between characters. The protagonist and the antagonist both have their own arcs.

Choi Min-sik delivers a solid performance as Oh Dae-su, who wants nothing but the truth to his imprisonment, and seeks revenge against his captor. Choi is comical at times, and powerful at others. In the opening scene, Dae-su is sitting in a police station. Most of Choi's lines were ad libbed. These improved lines help to underline Choi's ability to stumble around as a drunkard, and then even contrasts himself later on in the film, giving a splendid job as a broken down man, tearing himself to pieces to understand the truth.

Although Choi is a dark hero, violent in nature, his nemesis is much crueler. This is all a game to Lee Woo-jin, played mercilessly by Yu Ji-tae, and everything Oh Dae-su does is closely watched, like a pawn in a chess match.

Though she had limited time throughout the movie, Kang Hye-jeon who plays Mi-do, does a good job rounding off the main leads as Dae-su's love interest.

Park punches out another good film. Now, there are quite a few flashbacks throughout Oldboy, and I, don't usually like flashbacks (exception: Citizen Kane), yet, I found that Oldboy worked rather well with their flashbacks. In fact, there is one particular flashback which I really like, especially the directing style of Park. The older Dae-su walks about his high school campus, like a ghost, following his younger self, trying to remember something quite important. All-in-all, it's an interesting scene, and visually pleasant.

Now, I don't know if this is breaking any rules per say, but I've read a few different reviews regarding Oldboy -- none of which by professional critics. I've read through the reviews, many which were against Oldboy, giving it very poor reviews, saying it was a terrible film; that there wasn't much to understand in the context; too hyped up by critics; and a poor storyline. Well, Oldboy is far better than some poor review.

Olboy is a good film. You may think of it as The Sixth Sense where watching it for the first time, you'll be blown away, and possibly only watch in once. Once may be enough, and by then, you should have a nice aspect on the movie.

Oldboy
is part two in Park Chan-wook's “Revenge Trilogy” (the first is Sympathy For Mr. Vengeance, and the third is Lady Vengeance), all of which are about revenge, go figure. Oldboy just so happens to be my favorite of the three. But don't let that stop you from checking out the other two.

The Final Call:

9/10

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About A.M.R.

  • Two best friends, Jason & Austen, have formed Ampersand Movie Reviews. They pick the movies, (possibly with your help) and they rate them. There's two different and utterly reasonable aspects on some of the best and worst films the world has to offer. New reviews every Sunday and Thursday.
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